It was only a matter of time before St. Mandrew became heavily involved with music. Growing up with a mother who was a publicist at RCA records and a father who was running and handling the bookings of a legendary Toronto music venue in its golden era, he was constantly surrounded by it. A house full of vinyl, both parents in the business, an uncle who played in bands such as Steppenwolf and Parliament... there was really no other option for him.

St. Mandrew's journey into dance music started in Toronto when a young Andrew Graham became disillusioned with the musical landscape of the mid 90's. At a time when the mainstream was become enamored with overly flashy hip-hop and over-stylized commercial rap, Mandrew was finding a new musical pulse and stylishness in the groundbreaking house and techno that emerged from this era. It was at this point that he began to amass records and broaden his musical knowledge to the point in which he was already playing out in clubs at the early age of twenty. As St. Mandrew's sets have become more technical and his unique, ball of fire style developed, he has moved from the small clubs of East York to mega clubs all across North America, playing big room masterpieces into the wee hours of the morning, winning over new fans at every stop.

Here we are in 2010 and Graham is poised to take things to the next level, as he is quickly becoming a production juggernaut with his new smash solo track "Shockwave" as well as sought after releases in the form of "Beehive", "Towel Swinger" and "Face Pump" (produced with cousin and musical collaborator JFK of MSTRKRFT lore) through the recently formed, Teenage Riot Records. With more touring on the books and new releases on the horizon, expect St. Mandrew to cause a stir in the very near future.